![NCast Dancing Frogs [Flash format]](images/smallindex/ncastdancefrogssm.jpg "NCast Dancing Frogs [Flash format]")
Cheesy Animation Studios
During times of universal deceit, telling the truth becomes a revolutionary act.~ George Orwell
Boptime ~ w/Even Steven Leech ~ Saturday Mornings
Boptime begins at 6am (EST) on Saturday, December 21st, with oldies back to back to back. Our annual Christmas Boptime begins at 7am (EST) with Duke Ellington’s rendition of the Nutcracker Suite followed by Bing Crosby and Frank Sinatra singing some old favorites for the season. Co host Larry Williams joins us at 8am (EST) for more Christmas music with some jazz and R&B selections.~ Steve
BOPTIME: Saturday, 6 AM Eastern, 3 AM Pacific time
Go To: http://www.wvud.org/?page_id=24
Click on a listening link below the WVUD logo:
Boptime available locally in Delaware on:
WVUD-FM 91.3
Shoutcast = [Search: WVUD] || TuneIn
Alerts ~ Remembering: Miki Shapiro
Miki Shapiro
Miki Shapiro, 77; queen grande dame of the 60’s Hollywood scene, died Friday, January 5th, 2007 in Encinitas, Ca. Miki was born Helen Jean McNabb to Addison J. McNabb and Thelma Noble McNabb in Columbus, Ohio on December 25th, 1929. She attended Grandview High School where she was known for her adventurous spirit, non-conformity and wild get-togethers. She followed her brother, Bob McNabb.
Miki Shapiro was a big part of the community here in the early days. She threw the parties, entertained the famous and held a “salon” for the intelligencia of the times. She and her husband, Bennie Shapiro, operated the Renaissance Night Club and the Crescendo on Sunset Blvd, where a multitude of artists performed. Bob Dylan, Peter, Paul & Mary, Miles Davis, Lennie Bruce and Lord Buckley were just a few of the artists. Bennie left the nightclub life to open his own talent agency, taking many of the artists of the times with him. Being a concert promoter, film producer and entrepreneur led Miki and Bennie to be the center of the most exciting era. The Monterrey Pop Festival was just one of their successful endeavors. The movers and thinkers and celebrities of the time all gathered at the Shapiro’s. Timothy Leary, Allen Ginsberg, Alan Watts, Hells Angels, The Black Panthers, The Diggers, Merry Pranksters, Sean Connery, Mikhail Barishkonov, Marlon Brando, Miles Davis, The Beatles, Ravi Shankar, Dylan, Rolling Stones, Jim Morrison, the Grateful Dead, Momma Cass and the Mama’s and Papa’s, Janis Joplin, Dennis Hopper, Jack Nicholson, Huey Newton, one never knew who they would run into at the Shapiro’s on Kings Road.
In Hollywood, Miki had a contract with RKO, doubled for Jane Russell, and acted in "House of Wax", with Vincent Price.
The [above] accompanying photo is from her house in Yelapa at her daughter Michele's Birthday Party that has Tabitha (7 years old) Sam, Tom and Catherine, Michelle, Marc, Orange Charlie "Chicharro", Joan and Cali and Joe, Electra and Jorge . 1987 Casa Suenos, Yelapa.
Casa de Los Sueños
Sand and Foam
YELAPA TIDBIT ~ For those who don't know, Donovan wrote a song for and in Yelapa... (The story of the song told by Donovan in his live presentation at the Kodak Theater in Los Angeles on January 21, 2007. BTW, Ben and Miki Shapiro's place in Yelapa = Casa de Los Sueños.
"Of course fame followed me. It was 1966. We were here in Hollywod, up at Ben Shapiro's place. Ben was bringing in Ravi Shankar and Ali Akbar Khan. Ben was one of the old bohemians. He saw that Gypsy and I were tired. He said, "Why don't you go down to Mexico?" He said, "Go down to Puerto Vallarta, down to Rosa's Cantina." We did. Rosa was there. She took us to a fast boat, it sped us down the Pacific coast of Mexico. Down to Yelapa, a small fishing village. No roads went to this village. We curved around. Young boys in dug-out canoes took us off to a long, sandy beach, the jungle behind. We slept in grass huts, the stars twinkling above us. Down the river, we could hear the jaguars calling to each other in the jungle. And I wrote this song…"
sand and foam via aitor puente
The sun was going down behind a tattooed tree _ The simple act of an oar's stroke put diamonds in the sea _ All because of the phosphorus there in quantity _ I dug you diggin' me in Mexico
There in the valley of Scorpio, beneath a cross of jade _ Smoking on the seashell pipe the Gypsy had made _ We sat and dreamed a while of smugglers bringing wine _ In that crystal thought time in Mexico
Sitting in a chair of bamboo, sipping grenadine _ Straining my eyes for a surfacing submarine _ Kingdoms of ants walk across my feet _ I'm a-shakin' in my seat in Mexico
Grasshoppers creaking in the velvet jungle night _ Microscopic circles in the fluid of my sight _ Watching a dark-eyed native girl cut and trim the lamp _ A Valentino vamp in Mexico
The sun was going down behind a tattooed tree _ The simple act of an oar's stroke put diamonds in the sea _ And all because of the phosphorus there in quantity _ I dug you diggin' me in Mexico
We Thank & Miss You Miki & Bennie == much love, ~@~
ASIFA-SF, Karl Cohen ~ Association International du Film d'Animation, SF Newsletter
ASIFA-SF December 2024 Newsletter [PDF]
Neckerworld ~ A Computer Vision Game
Neckerworld ~ A Computer Vision Game by hankster/Dr. Hank MagnuskiOverview
Neckerworld is a computer vision game designed to teach students about human and computer vision systems, object detection and identification, visual field construction, autonomous movement and strategy.
All players and resources in the game are cubes. The cube players are guided solely through autonomous computer vision programs. No human manual control or input is permitted during gameplay.
To successfully play the game requires a competent program to do object detection and identification, playing field knowledge representation and strategic decision making.
Background
The Necker Cube Illusion (first published as a rhomboid in 1832 by Swiss crystallographer Louis Albert Necker) is a well known example of a perceptual illusion where the orientation of the cube is unstable and easily flips between two states. Serious study and research into why we perceive multiple states leads to a set of questions about the very nature of our vision. [continue: http://Neckerworld.com]
Notes from ~@~
Freedom of expression and freedom of speech aren't really important unless they're heard...It's hard for me to stay silent when I keep hearing that peace is only attainable through war. And there's nothing more scary than watching ignorance in action. So I dedicated this Emmy to all the people who feel compelled to speak out and not afraid to speak to power and won't shut up and refuse to be silenced. Tom Smothers
Carlin Step, DJ Steve Porter & Eli Wilkie via Roland Kardeby
The Great Bell Chant (The End of Suffering) via R Smittenaar
One Day, Matisyahu
Unsung Hero via Rattakarn Srithavatchai "Garn"
Nobody for President ~ NONE of the ABOVE should be a valid choice on VOTER BALLOTS
American Dream, George Carlin via Ishtar [ NOT WORK SAFE ], Alternative w/text
NOBODY should have that much power !!!
Curtis Spangler & Wavy Gravy , Nobody for President, 197610.12 ~ Photo: James Stark
The Sacred Clowns ~ Heyókȟa
The Heyókȟa symbolize and portray many aspects of the sacred, the Wakȟáŋ. Their satire presents important questions by fooling around. They ask difficult questions, and say things others are too afraid to say. By reading between the lines, the audience is able to think about things not usually thought about, or to look at things in a different way.
Principally, the Heyókȟa functions both as a mirror and a teacher, using extreme behaviors to mirror others, thereby forcing them to examine their own doubts, fears, hatreds, and weaknesses. Heyókȟas also have the power to heal emotional pain; such power comes from the experience of shame--they sing of shameful events in their lives, beg for food, and live as clowns. They provoke laughter in distressing situations of despair and provoke fear and chaos when people feel complacent and overly secure, to keep them from taking themselves too seriously or believing they are more powerful than they are.
In addition, sacred clowns serve an important role in shaping tribal codes. Heyókȟa's don't seem to care about taboos, rules, regulations, social norms, or boundaries. Paradoxically, however, it is by violating these norms and taboos that they help to define the accepted boundaries, rules, and societal guidelines for ethical and moral behavior. This is because they are the only ones who can ask "Why?" about sensitive topics and employ satire to question the specialists and carriers of sacred knowledge or those in positions of power and authority. In doing so, they demonstrate concretely the theories of balance and imbalance. Their role is to penetrate deception, turn over rocks, and create a deeper awareness.
Cree Prophecy
Only after the last tree has been cut down,
Only after the last river has been poisoned,
Only after the last fish has been caught,
Only then will you find money cannot be eaten.
Develop Your Mind, Not Sacred Sites
Message via Mike Pinder
Oh, I hope that I see you again I never even caught your name As you looked through my window pane ~ So I'm writing this message today I'm thinking that you'll have a way Of hearing the notes in my tune ~ Where are you going? Where have you been? I can imagine other worlds you have seen ~ Beautiful faces and music so serene ~ So I do hope I see you again My universal citizen You went as quickly as you came ~ You know the power Your love is right You have good reason To stay out of sight ~~ But break our illusions and help us Be the light. Mike Pinder
Why I Think This World Should End, Prince EA via Prince EA
Without love in the dream, it will never come true. ~ Jerry Garcia / Robert Hunter
And in the end, the love you take is equal to the love you make. ~ John Lennon
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{ ͡ʘ ͜ʖ ͡ʘ} Did politicians lie about Daylight Saving Time? { ͡ʘ ͜ʖ ͡ʘ}